13566 Search Results
Lorraine Daston, Andrew Yang (2017)
Time (and time again) : temporality, criticality, and the historical imagination ; a conversation with historian of science Lorraine Daston, interview by Andrew Yang
Daston, L., & Yang, A. (2017). Time (and time again): temporality, criticality, and the historical imagination; a conversation with historian of science Lorraine Daston, interview by Andrew Yang. Chicago: Deep Time.
Perceptual Illusions and their Role in Epistemology
It is a continuous task for the empirical sciences to distinguish reliable from unreliable observation. A concept that plays an important role here is
Publications
Sturm, T. & Ash, M. G. (2005): „The Roles of Instruments in Psychological Research.“ History of Psychology 8, 3-35 (Thematic Issue
History of Scientific Observation
This Working Group, Histories of Scientific Observation, met several times during the years 2005–08. The outcome of this work, a book edited by Lorrai
Archived Press Releases
MOREMicroscope Slides - ein Objekt der Wissenschaftsgeschichte?
No 2
Das international Max-Planck-Forschungsnetzwerk „Geschichte der wissenschaftlichen Objekte” will historische Objekte al seine Quelle für die Wissenschaftsgeschichte neu entdecken.
Microscope Slides: An Object of the History of Science?
No 2
The international Max Planck research network “History of Scientific Objects” aims to rediscover historical objects as a source for the history of science.
Vielsagende Instrumente
No 3
Henning Schmidgen untersucht die Laboratorien des deutschen Physiologen und Psychologen Hugo Münsterbrg in Freiburg und Harvard zu Beginn des 20. Jahrhunderts. Neue Instrumente begünstigten den Aufstieg von neuen wissenschaftlichen Fakten.
Telling Instruments
No 3
By studying the German physiologist and psychologist Hugo Münsterberg’s late-nineteenth- and early-twentieth-century laboratories in Freiburg and at Harvard University, Henning Schmidgen shows how new instruments encourage the emergence of new scientific facts.
Neue Wege für die Nutzung digitaler Bilder
No 4
Christine von Oertzen umreisst die Probleme des Open-Acess-Zugangs zu digitalen visuellen Medien und berichtet über die Bemühungen des MPIWG, Empfehlungen für den wissenschaftlichen Gebrauch von visuellen Quellen zu erarbeiten.
New Ways of Using Digital Images
No 4
Christine von Oertzen describes problems related to open access to digital visual media and reports on the efforts of the MPIWG to establish guidelines for the scholarly use of visual sources.