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ISMI: Eine Ressource des 21. Jahrhunderts für islamische wissenschaftliche Manuskripte
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ISMI: A 21st-Century Resource for Accessing Islamic Scientific Manuscripts
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Seminar Series "The Uses of Imagination: Between Science and Art" | Apr 24, 2019 | 15:00 to 17:00
Around the Pluriverse in 9 Objects: Cosmological Compositions for Critical Zones
Max Planck Research Group (Premodern Sciences)
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Seminar Series "The Uses of Imagination: Between Science and Art" | May 23, 2019 | 15:00 to 17:00
The Science of Character: Realism and Feminism in Fin-de-Siècle England
Max Planck Research Group (Premodern Sciences)
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Musica vox – cantus – sonus: Late Medieval Concepts of Sound and Listening
To historical musicologists, the recent formation of Sound Studies offers both an amplification of and a counternarrative to our inherited understandi
Leonardo da Vinci Year Opens with Symposium at the MPIWG and Italian Embassy in Berlin
Announcement of major Leonardo da Vinci event in collaboration with Italian Embassy Berlin
Mar 14, 2019Direktorin Lorraine Daston in The Chronicle of Higher Education zu „The Books That Wouldn’t Die“
Zum ArtikelDirector Lorraine Daston in The Chronicle of Higher Education on “The Books That Wouldn’t Die”
Go to ArticleKeyboard Playing and the Reconceptualization of Polyphonic Music in Early Modern Italy
In early modern Italy, seminal changes in the concept and structure of polyphony were rooted in a shift of praxis defined by the increasing role of ke
Wu Yun's 吳筠 "Rhapsody on the Darkling Gibbon" and its Daoist Contexts
A Chinese “rhapsody” 賦 is a long poetic form meant to “set forth / present” 賦 all aspects of a subject. The Daoist priest Wu Yün’s 吳筠 (d. 778)’s rhaps