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Red and White, Black, and Yellow. Colors of Beauty and Cosmetics Materials in Early Modern English Culture
Alongside Richard Haydocke's translation of Giovanni Paolo Lomazzo's treatise on painting from 1598, this chapter examines concepts of color concernin
Painted Gems. Portrait Miniature Painting and Seventeenth-Century Color Theory
It has been argued persuasively that we should see the art of the miniaturist as being closely related to the art of the goldsmith—with the painted "j
"Siben Farben unnd Künsten frey." The Place of Color in Martin Schaffner's Universe Table
In 1533, the Ulm artist Martin Schaffner painted a model of the Ptolemaic universe, structured in terms of sequences of sevens—of planets, metals, vir
Workshop | Feb 12, 2020 | 13:00 to 17:00
German Purveyors of Natural History in the Age of Empire: Collecting in the Asia Pacific in the Long Nineteenth Century
More"Colores Quibus Pictores Utuntur." The Integration and Disintegration of Pigment Knowledge in the Sixteenth Century
Pigments form the material color for painting. Their use involves various practices and types of expertise, whether from miners, pigment makers or pai
Studentische Hilfskraft (m/d/w) (IT-Support)
Das Max-Planck-Institut für Wissenschaftsgeschichte (MPIWG) sucht zum nächstmöglichen Zeitpunkt
eine studentische Hilfskraft (w/m/d) mit
Studentische Hilfskraft (m/d/w) (IT-Support)
Das Max-Planck-Institut für Wissenschaftsgeschichte (MPIWG) sucht zum nächstmöglichen Zeitpunkt
eine studentische Hilfskraft (w/m/d) mit
Institute's Colloquium | Sep 22-Aug 1, 1999
Institute's Colloquium 2019–20—History of Science: Right Here, Right Now
MoreDagmar Schäfer in TU Intern über den Gewinn des Leibniz-Preises und das modernisierte Chinabild im Westen
Zum Artikel (auf Deutsch)Dagmar Schäfer in TU Intern on winning the Leibniz Prize and modernizing the image of China in the West
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