13569 Search Results
Postdoctoral Fellow (Dept. I) (EN)
The Max Planck Institute for the History of Science, Berlin, Research Cluster "Knowledge in and of the Anthropocene" (Dept. I), is offering a position
Studentische Hilfskräfte (Bibliothek) (DE)
Das Max-Planck-Institut für Wissenschaftsgeschichte sucht zur Mitarbeit im Bereich der Versorgung der Forschung mit Literatur aus den Berliner wissens
Studentische Hilfskräfte (Bibliothek) (DE)
Das Max-Planck-Institut für Wissenschaftsgeschichte sucht zur Mitarbeit im Bereich der Versorgung der Forschung mit Literatur aus den Berliner wissens
Jürgen Renn im Interview mit Deutschlandfunk Kultur über Leonardo da Vincis "intellektuellen Kosmos"
ZuhörenDirector Jürgen Renn interviewed by Deutschlandfunk Kultur on Leonardo da Vinci's "intellectual cosmos"
Listen to RecordingHansjakob Ziemer (2019)
'The German in the concert hall' : concertgoing and national belonging in the early twentieth century
Ziemer, H. (2019). 'The German in the concert hall': concertgoing and national belonging in the early twentieth century. In N. Gregor, & T. Irvine (Eds.), Dreams of Germany: musical imaginaries from the concert hall to the dance floor (pp. 33-53). New York: Berghahn.
Methods Intensive Workshop | May 9, 2019 | 10:30 to 11:30
Three-Dimensional Scanning at the Transept of the Cathedral in Paris: The Benefit for Art History
MoreMethods Intensive Workshop | May 9, 2019 | 18:00 to 19:00
Reconstructing Notre Dame: Expertise, Art, Money, Politics.
MorePlanning Labour: Time and the Foundations of Industrial Socialism in Romania
Impoverished, indebted, and underdeveloped at the close of World War II, Romania underwent dramatic changes as part of its transition to a centrally planned economy. As with the Soviet experience, it pursued a policy of “primitive socialist accumulation” whereby the state appropriated agricultural surplus and restricted workers’ consumption in support of industrial growth.
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Crafting Life: Stonemasonry, Apprenticeship, and the Repair of the Built Environment
This project centers on an ethnography of a stonemasonry workshop attached to St Mary’s Cathedral in Edinburgh, Scotland. St Mary's is a nineteenth-ce